Run your shop
on the machine.
Built inside a working NYC tattoo shop, not a conference room. One system for the door, the book, the chairs, and the money β on your screens, your tablets, your wall.
Count us in β‘
Walk in.
It's already working.
This is the first thing your customers meet β the whole room, live, on glass. Portfolios under their fingers, the Lineup counting, the door saying yes.
STEVE
KIMBERLY.
Touch the live machine.
The Demo Floor is a real Studio OS stack running a fake busy night β real wall, real check-in, real flash rack. Tap around. Claim something. Nobody real gets tattooed.
Walk onto the demo floor β‘The desk hears everything.
The lineup fills itself and rings the bell. And when an artist needs the front β gloves on, needle down β one press turns this screen into an air raid until a human answers.
The ticket follows them out the door.
They scan the QR and their spot lives on their phone β position updating itself, the neighborhood's best food two taps away, and a walk-me-back map when the shop calls them home. Nobody hovers at the desk. Everybody comes back.
Every chair gets a brain.
A tablet per station: the artist's day, their money, their line β and the whisper: the moment someone at the kiosk is looking at their work, the tablet knows.
YOUR DAY,
BIG STEVE.
The desk sets the room.
Chairs are furniture; artists move. Every morning the desk drags faces onto stations and every tablet re-homes itself β greeting its new artist by name.
Flash becomes commerce.
Pre-drawn, pre-priced, pre-timed. The rack sells itself on the kiosk β tap a piece and the art takes the whole glass, claim it and you're in the chair.
And above it all β the admin.
Mission control. Every shop on the machine phones home every five minutes; every screen in every room, watchable from one page. A shop goes quiet, the dot goes red, somebody cares before the shop ever notices.
Β·
LIVE
Β·
LIVE
Β·
LIVE
The walk-in economy
Wall QR check-in, phone tickets, the Lineup β the number no booking app ever counted, counted.
- Live phone tickets β position updates itself while they wander
- Two friends, one phone? Two tickets. The desk bell rings either way
- Walk-in vs booked revenue, finally split on every board
Marcus.
Your own appointment book
The OS is the calendar: the desk books real slots, clients get confirmations and reminders, and your Acuity or Square keeps mirroring alongside until you cancel it for good.
- Slot chips that know the gaps β clashes die before they're born
- Confirmations on booking, a nudge the night before
- Your Acuity mirrors alongside for months β switch when you're sure
Built where
the needles run.
Leads, downhill
Website forms and artist-page traffic land as cards with a clock. Nobody waits three days for a text again.
- See where every inquiry came from β your website, Google, or which artist's Instagram bio they tapped
- Price a piece in two taps: slide the hours, the quote does the math at that artist's rate
- Text them from the board β their reply lands on the same card, glowing
Chair choreography
Artist tablets greet the client by name, fog up before they arrive, and shoot the fresh piece at the end.
- GET READY fog twenty minutes out β loudest on the first of the day
- The artist's phone becomes the camera; shots file themselves
- Wrap it up from the chair β the desk sees the green β
Proven nightly in a
working shop.
Money that reconciles
Drops, house tabs, weekly settle-up, sales tax β the artist-pays-the-house model, digitized.
- The nightly drop equals the sheet β commission, deposits, tax on cash
- A house tab per artist; weekly settle-up pays it down
- Checkout ends on their phone: the Google-review ask and their photo uploads, collected automatically
The room on glass
A touch kiosk wall with availability, artist portfolios, and self check-in. Sleeps at night, wakes on a tap.
- Portfolios in grayscale that bloom to color under a finger
- Everything preloaded β a tap reveals, it never fetches
- Sleeps after close: CLOSED Β· doors at noon. Wakes in one frame
The whole roster, honest
Every artist is a card the desk can read at a glance β booked, worth, pace. No spreadsheets, no vibes.
Week one, in your shop
Who's behind this
A working shop and a builder. No conference room in sight.
Runs Manhattan's oldest tattoo shop β and the first chair the machine ever worked. If it survives his Friday night, it ships.
Builds the machine β from inside the shop, most nights. The reason the software knows what a walk-in actually is.
It shows up
in a crate.
No app store, no IT guy, no per-seat math. The whole rig arrives pre-paired to your shop β plug the wall in, hand out the tablets, done by lunch.
YOUR TEXTING NUMBER PORTS OUT WITH YOU IF YOU EVER LEAVE β YOUR CLIENTS, YOUR NUMBER.
$395 LOCKED
On the bench, loading next.
The machine keeps growing. Founding shops get every one of these the day it ships, no price change.
Device kit on lease β kiosk screen key, artist tablet keys, desk setup β shipped pre-paired. 12-month term. Your data is yours, always.
The Solo Act
One chair, no desk, no front-of-house. The machine is your counter help β it greets the walk-in at the door, minds your book, texts your leads back, and counts your night while your hands stay gloved.
Kit: the wall, your one tablet, the desk key. Nobody needs this more than the artist working alone β you need us more than you need Katz's.
Founding price by chairs β locked forever. The slider up top is the menu.
Wall screen, chair tablets, desk key, QR cards β shipped pre-paired. Done by lunch.
The board counts what it brings in. Doesn't beat its bill? We credit the difference.